Paola Fabbri's works are pieces of oriental culture, the myth, the symbol, the aesthetics of full emptiness.
You have greatly influenced her artistic training by reading the writings of Ananda K. Coomaraswamy, who spent a lifetime finding similarities between the metaphysics of Plato, Nietzsche and Heidegger and the ancient Indian philosophers.
Personally I think Eastern thought was the incubator of the best Western thought and we will appreciate it better in the future.
To return to Paola in the Rigveda, non-being is the nothing rich in things, the opposite of the Platonic nothing.
We know, thanks to the discoveries of quantum physics, that the void is full.
Here in her apparently minimalist works you have to look and imagine what lies beyond the painting.
A world full of emotions.
Pietro Franesi
International art curator
